Đọc đoạn văn sau và trả lời các câu hỏi: Surrealism was a movement in graphic art and literature that was founded in Paris, in 1924, by Andr Breton. Inspired by another movement in art called Dadaism...

CD

Corn dog

31 tháng 8 2017

Đọc đoạn văn sau và trả lời các câu hỏi: Surrealism was a movement in graphic art and literature that was founded in Paris, in 1924, by Andr Breton. Inspired by another movement in art called Dadaism, the Surrealist movement has been one of the most influential art movements in the 20th century. It eventually 5 had a worldwide audience, flourishing notably in the United States during World War II. Surrealism focused on the role of the unconscious in the creative process. In a...

Đọc tiếp

Đọc đoạn văn sau và trả lời các câu hỏi:

Surrealism was a movement in graphic art and literature that was founded in Paris, in 1924, by Andr Breton. Inspired by another movement in art called Dadaism, the Surrealist movement has been one of the most influential art movements in the 20th century. It eventually 5 had a worldwide audience, flourishing notably in the United States during World War II. Surrealism focused on the role of the unconscious in the creative process. In a nihilistic protest, it rejected all aspects of Western culture. Surrealist writers, such as Aragon and Soupalt, believed in directly transcribing onto paper anything their 10 unconscious mind wished them to. They never altered or revised what they wrote because that would have interfered with the purity of their creation. Surrealist painters, a group that included such famous names as Miro, Dali, and Ernst, displayed a wide variety of style and content. Though Breton was the founder of this movement, his 15 strong leadership style brought about dissent, which resulted in several of the painters officially breaking away from the movement.

1. With what topic is this passage primarily concerned?
(A) influential painters such as Miro, Dali, and Ernst
(B) the Surrealist movement in graphic art and literature
(C) nihilism as an aspect of the Surrealist movement
(D) Andr Breton's leadership style
2. As used in line 1, which of the following is the closest in meaning to the phrase"a movement"?
(A) a trend
(B) an action
(C) an exercise
(D) a gesture
3. Which of the following is closest in meaning to the word "inspired" in line 2?
(A) excited
(B) influenced
(C) stifled
(D) created
4. Why does the author mention Dadaism?
(A) to demonstrate the importance of Surrealism
(B) to give background information about Surrealism
(C) to show the lack of influence of Dadaism
(D) to infer that Andr Breton rejected Dadaism
5. What does "it" refer to in line 7?
(A) a protest
(B) the unconscious
(C) Surrealism
(D) the creative process
6. The word "altered" in line 10 means
(A) changed
(B) forgot
(C) believed
(D) allowed
7. Which of the following is closest to the meaning of "purity" in line 11?
(A) integrity
(B) fragility
(C) dignity
(D) simplicity
8. According to the passage, all of the following are true of Surrealism EXCEPT?
(A) Surrealism was influenced by Dadaism.
(B) Surrealists believed that the unconscious played an important role in the creative process.
(C) Some Surrealist painters quit the official movement because of Andr Breton.
(D) Surrealism embraced Western culture.
9. The word "displayed" in line 13 is closest in meaning to which of the following?
(A) neglected
(B) replaced
(C) exhibited
(D) condemned
10. The word "dissent" in line 15 is closest inmeaning to which of the following?
(A) disagreement
(B) distress
(C) distraction
(D) discouragement
11. The phrase "breaking away" in line 16 means
(A) escaping
(B) separating
(C) defecting
(D) passing
12. Which of the following statements is best supported by this passage?
(A) Andr Breton founded art and literature in Paris.
(B) Andr Breton rejected Dadaism because of Nihilism.
(C) Andr Breton supported Miro in his painting.
(D) Andr Breton was a vital part of the Surrealist movement.

#Tiếng anh lớp 13

1

HT

Huy Thắng Nguyễn

31 tháng 8 2017

Đọc đoạn văn sau và trả lời các câu hỏi:

Surrealism was a movement in graphic art and literature that was founded in Paris, in 1924, by Andr Breton. Inspired by another movement in art called Dadaism, the Surrealist movement has been one of the most influential art movements in the 20th century. It eventually 5 had a worldwide audience, flourishing notably in the United States during World War II. Surrealism focused on the role of the unconscious in the creative process. In a nihilistic protest, it rejected all aspects of Western culture. Surrealist writers, such as Aragon and Soupalt, believed in directly transcribing onto paper anything their 10 unconscious mind wished them to. They never altered or revised what they wrote because that would have interfered with the purity of their creation. Surrealist painters, a group that included such famous names as Miro, Dali, and Ernst, displayed a wide variety of style and content. Though Breton was the founder of this movement, his 15 strong leadership style brought about dissent, which resulted in several of the painters officially breaking away from the movement.

1. With what topic is this passage primarily concerned?
(A) influential painters such as Miro, Dali, and Ernst
(B) the Surrealist movement in graphic art and literature
(C) nihilism as an aspect of the Surrealist movement
(D) Andr Breton's leadership style
2. As used in line 1, which of the following is the closest in meaning to the phrase"a movement"?
(A) a trend
(B) an action
(C) an exercise
(D) a gesture
3. Which of the following is closest in meaning to the word "inspired" in line 2?
(A) excited
(B) influenced
(C) stifled
(D) created
4. Why does the author mention Dadaism?
(A) to demonstrate the importance of Surrealism
(B) to give background information about Surrealism
(C) to show the lack of influence of Dadaism
(D) to infer that Andr Breton rejected Dadaism
5. What does "it" refer to in line 7?
(A) a protest
(B) the unconscious
(C) Surrealism
(D) the creative process
6. The word "altered" in line 10 means
(A) changed
(B) forgot
(C) believed
(D) allowed
7. Which of the following is closest to the meaning of "purity" in line 11?
(A) integrity
(B) fragility
(C) dignity
(D) simplicity
8. According to the passage, all of the following are true of Surrealism EXCEPT?
(A) Surrealism was influenced by Dadaism.
(B) Surrealists believed that the unconscious played an important role in the creative process.
(C) Some Surrealist painters quit the official movement because of Andr Breton.
(D) Surrealism embraced Western culture.
9. The word "displayed" in line 13 is closest in meaning to which of the following?
(A) neglected
(B) replaced
(C) exhibited
(D) condemned
10. The word "dissent" in line 15 is closest inmeaning to which of the following?
(A) disagreement
(B) distress
(C) distraction
(D) discouragement
11. The phrase "breaking away" in line 16 means
(A) escaping
(B) separating
(C) defecting
(D) passing
12. Which of the following statements is best supported by this passage?
(A) Andr Breton founded art and literature in Paris.
(B) Andr Breton rejected Dadaism because of Nihilism.
(C) Andr Breton supported Miro in his painting.
(D) Andr Breton was a vital part of the Surrealist movement.

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LQ

Lê Quỳnh Anh

11 tháng 7 2018

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.Born in 1882, by the age of 17 he had already decided to become an artist. He attended the New York School...

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#Mẫu giáo

1

DH

Dương Hoàn Anh

11 tháng 7 2018

Chọn B

Cuối đoạn 2 có nói: “where he bacame familiar with many leading figures such as William Merritt Chase and Robert Henri” (…các nhân vật dẫn đầu như William Merritt Chase and Robert Henri) vì thế, many leading figures là chỉ William Merritt Chase and Robert Henri

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DM

Dương Minh

24 tháng 9 2019

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT _________.

A. creators of textile designs

B. people who produce handmade glass objects

C. operators of machines that automatically cut legs, for furniture

D. metalworkers who create unique pieces of jewelry

#Mẫu giáo

1

NH

Nguyen Hoang Hai

24 tháng 9 2019

ĐÁP ÁN C

Từ đoạn trích có thể suy ra rằng những thay đổi trong nghệ thuật và thủ công có để đều được coi là nghệ sĩ ngoại trừ:

A. những người sáng tạo thiết kế trên vải vóc.

B. những người sản xuất vật thuỷ tinh bằng tay.

C. những người điều hành máy tự động cắt tay cho đồ đạc.

D. thợ kim loại sản xuất những trang sức độc đáo.

Dẫn chứng: “The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise.”

Tạm dịch: “Những thay đổi về nghệ thuật và thủ công phản đối quá trình máy móc hoá đã đe doạ đồ thủ công và dẫn đến những hàng hoá rẻ mạt, một màu.”

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DM

Dương Minh

20 tháng 7 2018

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT _________.

A. creators of textile designs

B. people who produce handmade glass objects

C. operators of machines that automatically cut legs, for furniture

D. metalworkers who create unique pieces of jewelry

#Mẫu giáo

1

NH

Nguyen Hoang Hai

20 tháng 7 2018

C

Từ đoạn trích có thể suy ra rằng những thay đổi trong nghệ thuật và thủ công có để đều được coi là nghệ sĩ ngoại trừ:

A. những người sáng tạo thiết kế trên vải vóc.

B. những người sản xuất vật thuỷ tinh bằng tay.

C. những người điều hành máy tự động cắt tay cho đồ đạc.

D. thợ kim loại sản xuất những trang sức độc đáo.

Dẫn chứng: “The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise.”

Tạm dịch: “Những thay đổi về nghệ thuật và thủ công phản đối quá trình máy móc hoá đã đe doạ đồ thủ công và dẫn đến những hàng hoá rẻ mạt, một màu.”

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LQ

Lê Quỳnh Anh

11 tháng 6 2019

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT _________.

A. creators of textile designs

B. people who produce handmade glass objects

C. operators of machines that automatically cut legs, for furniture

D. metalworkers who create unique pieces of jewelry

#Mẫu giáo

1

DH

Dương Hoàn Anh

11 tháng 6 2019

Chọn C

Từ đoạn trích có thể suy ra rằng những thay đổi trong nghệ thuật và thủ công có để đều được coi là nghệ sĩ ngoại trừ:

A. những người sáng tạo thiết kế trên vải vóc.

B. những người sản xuất vật thuỷ tinh bằng tay.

C. những người điều hành máy tự động cắt tay cho đồ đạc.

D. thợ kim loại sản xuất những trang sức độc đáo.

Dẫn chứng: “The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise.”

Tạm dịch: “Những thay đổi về nghệ thuật và thủ công phản đối quá trình máy móc hoá đã đe doạ đồ thủ công và dẫn đến những hàng hoá rẻ mạt, một màu.”

Đúng(0)

LQ

Lê Quỳnh Anh

4 tháng 8 2019

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

It can be inferred from the passage that the Arts and Crafts Movement would have considered all of the following to be artists EXCEPT _________.

A. creators of textile designs

B. people who produce handmade glass objects

C. operators of machines that automatically cut legs, for furniture

D. metalworkers who create unique pieces of jewelry

#Mẫu giáo

1

DH

Dương Hoàn Anh

4 tháng 8 2019

Chọn C

Từ đoạn trích có thể suy ra rằng những thay đổi trong nghệ thuật và thủ công có để đều được coi là nghệ sĩ ngoại trừ:

A. những người sáng tạo thiết kế trên vải vóc.

B. những người sản xuất vật thuỷ tinh bằng tay.

C. những người điều hành máy tự động cắt tay cho đồ đạc.

D. thợ kim loại sản xuất những trang sức độc đáo.

Dẫn chứng: “The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise.”

Tạm dịch: “Những thay đổi về nghệ thuật và thủ công phản đối quá trình máy móc hoá đã đe doạ đồ thủ công và dẫn đến những hàng hoá rẻ mạt, một màu.”

Đúng(0)

LQ

Lê Quỳnh Anh

2 tháng 10 2019

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.Born in 1882, by the age of 17 he had already decided to become an artist. He attended the New York School...

Đọc tiếp

#Mẫu giáo

1

DH

Dương Hoàn Anh

2 tháng 10 2019

Chọn C

Có thể thấy trong công việc Hopper khá cô đơn, khi mà “Hopper was slow to develop compared with other young artists of that time” Hopper hoàn toàn độc lập/đơn độc so với các hoạ sĩ cùng thời

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LQ

Lê Quỳnh Anh

20 tháng 8 2017

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions.Edward Hopper is America’s most well-known realist painter, living by his philosophy, “The man’s the work. Something doesn’t come out of nothing.” He was reclusive and private in his personal life, with themes of introspection in his painting.Born in 1882, by the age of 17 he had already decided to become an artist. He attended the New York School...

Đọc tiếp

#Mẫu giáo

1

DH

Dương Hoàn Anh

20 tháng 8 2017

Chọn B

“long” = “want” (v): mong muốn, khao khát được…

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LQ

Lê Quỳnh Anh

3 tháng 7 2018

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

According to the passage, which of the following changes occured at the same time as the Arts and Crafts Movement?

A. The creation of brighter and more airy spaces inside homes

B. The rejection of art that depicted nature in a realistic manner

C. A decline of interest in art museum collections

D. An increase in the buying of imported art objects

#Mẫu giáo

1

DH

Dương Hoàn Anh

3 tháng 7 2018

Chọn A

Theo đoạn văn, những thay đổi nào dưới đây xảy ra cùng lúc với sự thay đổi về nghệ thuật và thủ công?

A. Sự sáng tạo về không gian sáng và nhiều không khí hơn trong nhà cửa.

B. Sự chối bỏ rằng nghệ thuật phác hoạ thiên nhiên một cách chân thực hơn.

C. Sự hứng thú giảm đi với các bộ sưu tập ở bảo tàng.

D. Sự tăng hứng thú với việc mua các món đồ nghệ thuật.

Dẫn chứng: “The Arts and Crafts Movement was much more than a particular style, it was a philosophy of domestic life.”

Tạm dịch: Những thay đổi về nghệ thuật và thủ công còn hơn cả một thể loại nhất định, nó là lí luận về cuộc sống thường nhật.

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DM

Dương Minh

22 tháng 1 2019

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37. The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in...

Đọc tiếp

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions from 30 to 37.

The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce United States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artists today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spaces.

The Arts and Crafts Movement reacts against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidly industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art. Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.

In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and sound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.

The Arts and Crafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For both artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.

According to the passage, which of the following changes occured at the same time as the Arts and Crafts Movement?

A. The creation of brighter and more airy spaces inside homes.

B. The rejection of art that depicted nature in a realistic manner.

C. A decline of interest in art museum collections.

D. An increase in the buying of imported art objects.

#Mẫu giáo

1

NH

Nguyen Hoang Hai

22 tháng 1 2019

ĐÁP ÁN A

Theo đoạn văn, những thay đổi nào dưới đây xảy ra cùng lúc với sự thay đổi về nghệ thuật và thủ công?

A. Sự sáng tạo về không gian sáng và nhiều không khí hơn trong nhà cửa.

B. Sự chối bỏ rằng nghệ thuật phác hoạ thiên nhiên một cách chân thực hơn.

C. Sự hứng thú giảm đi với các bộ sưu tập ở bảo tàng.

D. Sự tăng hứng thú với việc mua các món đồ nghệ thuật.

Dẫn chứng: “The Arts and Crafts Movement was much more than a particular style, it was a philosophy of domestic life.”

Tạm dịch: Những thay đổi về nghệ thuật và thủ công còn hơn cả một thể loại nhất định, nó là lí luận về cuộc sống thường nhật.

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